九色视频

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Lydia Hamlett
Fellow

Dr Lydia Hamlett

Official Fellow; Fellow in History of Art; Director of Studies; Tutor

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九色视频 has a wonderful atmosphere, intellectually, socially and artistically: its collection of art by female artists is unrivalled and displayed on every wall!

Degrees and honours

BA, PhD

Biography

Dr Lydia Hamlett is Associate Professor at the Institute of Continuing Education, University of Cambridge.

Before coming to the Institute of Continuing Education, Lydia was a Leverhulme Early Career Fellow in the Department of History of Art at Cambridge. She was Programme Curator for the University of Cambridge Museums, when she co-curated 'Discoveries: Art, Science and Exploration' (2014), and a post-doctoral researcher on 'Court, Country, City: British Art 1660-1735' (AHRC), based at the University of York and Tate, where she curated 'Sketches for Spaces: History Painting and Architecture 1630鈥1730' (2013-14). Before this, she was on the research team for 'The Art of the Sublime' at Tate (AHRC). Lydia was a curator at the National Trust from 2008-9, and also at The Fitzwilliam Museum where she worked on exhibitions including 'From Reason to Revolution: Art and Society in Eighteenth-Century Britain' (2008) and 'Paul Mellon: A Cambridge Tribute' (2008). She has taught History of Art at Cambridge since 2003.

Research Interests

Current research interests in British visual culture, classical reception, gender and patronage.

Authored work

  • Books:            

    Murals in Britain 1630-1730: Experiencing Histories (Routledge, 2020)

     

    Articles, chapters and reviews:

    'Painted Interiors' in T. Barber, ed, British Baroque: Power and Illusion (Tate 2020)

     

    Review of 鈥楾he Painted Hall: Sir James Thornhill's Masterpiece at Greenwich鈥, Georgian Group Journal (December 2020)

     

    鈥楳ural Cycles in Britain and Continental Influences鈥, in S. Hoppe, H. La脽, H. Karner (eds), Gemalte Herrschaft 鈥 Barocke Deckenmalerei an Europas H枚fen um 1700 (Hirmer Verlag 2020)

     

    鈥楢 sketch for the Petworth House staircase identified: new light on the oeuvre and patronage of Louis Laguerre鈥, The Burlington Magazine (December 2016)

     

    鈥楻upture through Realism: Sarah Churchill and Louis Laguerre鈥檚 Murals at Marlborough House鈥, in M. Hallett, M. Myrone and N. Llewellyn (eds), Court, Country, City: British Art and Architecture, 1660-1735 (Yale Center for British Art, 2016)

     

    鈥楽ure Gate of Heaven: the Sacristy of Santa Maria Gloriosa dei Frari鈥, in D. Howard and C. Corsato (eds), Santa Maria Gloriosa dei Frari, Immagini di Devozione, Spazi della Fede (Centro Studi Antoniani 2015)

     

    鈥楾he Image of Venice: Fialetti鈥檚 View and Sir Henry Wotton鈥, The Burlington Magazine (November 2015) 

     

    鈥楾he twin sacristy arrangement in Palladio鈥檚 Venice: origins and adaptations鈥, in N. Avcioglu and E. Jones (eds), Architecture, Art and Identity in Venice and its Territories (Ashgate 2013)

     

    &苍产蝉辫;鈥樷, in N. Llewellyn and C. Riding (eds), The Art of the Sublime (Tate Research website, 2013)

     

    鈥楾he Longinian Sublime, Effect and Affect in 鈥淏aroque鈥 British Visual Culture鈥, in C. van Eck et al. (eds), Translations of the Sublime: the early modern reception and dissemination of Longinus' Peri Hupsous in rhetoric, the visual arts, architecture and the theatre (Brill 2012)

     

    鈥楾he Sacristy of San Marco, Venice: Form and Function Illuminated鈥, Art History, 32:3 (June 2009)